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Prologue

  You can sneak a prohibited item through airport security easier than you think.

  It’s not about gadgets or technology. It’s about beating people – their instincts, their assumptions, their patterns. Security loves predictability. Break the rhythm, shift the focus and you create your own loophole.

  Confidence is the key. No hesitation, no second looks. They don’t screen for contraband; they screen for fear. A confident man with a camera in his hand isn’t a threat – he’s a professional, a journalist, an artist. The world opens up to people like him. Smile at the agent, crack a joke. Let them see what they expect: another traveler trying to make their gate before the boarding call.

  But distraction – that’s where the magic happens.

  The shiny advertisement cards are scattered at the entrance of security: “FREE COFFEE AT GATE C13.” Simple, enticing. Who wouldn’t grab one? The promise of coffee during a morning rush. But no one thinks about the layers in that cardstock. No one thinks about the tiny bit of lead embedded between the fibers – a little trick of the trade. When scanned, those cards throw a shadow.

  A case of literary theft: this tale is not rightfully on Amazon; if you see it, report the violation.

  Now thirty passengers are holding identical cards. Some are in carry-ons, others in purses, all going through the checkpoint at the same time. The machine beeps nonstop, panic sets in and security scrambles to figure out what’s going on. It’s perfect chaos – and perfectly harmless. At least for them.

  And while they’re sorting out the mess, the real magic happens. A disassembled weapon hidden in the layers of a camera bag. Tripods, lenses, filters, cables – nothing out of the ordinary for a photographer. Not worth a second look. Cameras are the ultimate cover. Expected. Familiar. Invisible.

  That’s the trick: disappear in plain sight. Don’t hide the act – hide the intent.

  It’s not about the tools; it’s about the illusion. And when done right, an illusion becomes reality.

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