Scene 1: Bathroom
Camera Angle: Close-up of John’s face in the mirror, with soft light illuminating his features.
After shaving his beard and hair, John felt a sense of lightness and freshness. The camera zooms in close on his eyes as he looks into the mirror, with light streaming in from all around the room.
Camera Angle: Wide shot of the room as John walks toward the bed.
He slowly approached the bed and examined a package of new clothes. The camera shows the package of clothes from the left side, capturing John's excited expression as he gazes at them.
Scene 2: Hallway
Camera Angle: Cut to Ni, who is sitting in the hallway.
In the hallway, Ni, curious, suddenly spotted John’s fresh face. The camera moves in from a low angle, showing her wide-eyed gaze directed at John.
Camera Angle: Close-up of Ni running towards Akira’s room.
She dashed toward Akira's room, shouting loudly, "John! Come out quickly! Someone is in the hallway!"
Scene 3: Akira’s Room
Camera Angle: Cut to John entering the room.
At that moment, John entered Akira's room. The camera captures a side profile of John, with the soft light of the room giving him a special aura.
Camera Angle: Close-up of Ni, who looks scared.
Ni, trembling slightly in fear, looked at him. The camera zooms in on her face, showing her moments of doubt and surprise.
Camera Angle: Close-up of Ni looking at John.
Ni gazed at John, her surprise causing her to nearly lose her words. The camera focuses on her eyes, capturing her astonished moments.
Camera Angle: Wider shot of Ni's face as her fear transforms into surprise.
Ni changed from fear to astonishment, exclaiming, "John! Is it you?" Then, bursting into laughter, she continued, "Wow, John, wow! You've changed so much! I really didn't recognize you!"
Camera Angle: Close-up of John smiling at Ni.
John smiled back at Ni and said, "It's all thanks to you, girl!"
Camera Angle: Top-down shot showing the doorway of the room.
Ni, still laughing, approached John teasingly, "Well, after a good bath, look how much you've changed. John, you look great!"
John responded with a smirk, "Just a bit of confidence and a good bath! Now let’s go enjoy life!"
Camera Angle: Final shot of John and Ni joyfully walking towards the exit.
Now both, with joyful hearts and fresh spirits, were ready to step into a new day in their lives, looking forward to the future in a friendly manner.
The camera shows a view of the small room from above. Ni was asleep in Akira's room, the soft and gentle sound of her breathing indicating her tranquility. Meanwhile, the camera angles towards John, who had fallen asleep next to the spacecraft. The night’s darkness enveloped the surroundings, with only the faint sound of the wind heard.
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Akira sat in the fighter jet, hands on the controls, lost in thought. The camera gently zooms in to show his focused expression. Then, he started the jet, and the sound of the engine echoed in the dark night.
With the bright noise of the jet, John slowly woke up. The camera is approaching his face as he transitions from sleep to wakefulness. He quickly realized that Akira was taking off. John rushed out of the spaceship’s door and sprinted towards the fighter jet. The camera shifts to show John running, witnessing the aircraft rapidly flying into the sky.
Akira, a bit away from the spacecraft, activated the jet's safety mode. The camera zooms in on the jet, capturing the moment it became invisible and silent from the outside. John stood watching Akira, who was now slowly drifting away.
Camera Angle: Behind John, showing him watching the jet.
He stared wide-eyed at the jet, feeling as though he was experiencing a magical reality. He remembered the day he saw a light rising into the sky in the desert; a light that gradually disappeared. The flashback nears that day, and the camera captures the desert setting.
In that day, the camera showed John standing in the desert, with light rising in the distance into the sky. Suddenly, that light vanished, leaving him with an odd feeling.
The flashback ends, returning the camera to the present. John stands in a similar position as before, but now he is aware of a new feeling within. He now knows that light was the fighter jet that Akira is currently aboard. His feelings toward Akira had changed; he now saw him not just as a companion but as a brave and adventurous person fighting for survival.
John turned back toward the spacecraft. The camera follows him and shows him returning towards the ship, clearly manifesting a newfound determination and resolve.
The camera zooms in from above on Akira's fighter jet, showcasing a wide view of the devastated base. Akira is far from his spacecraft and is surveying the area. He approaches a base that is clearly in ruins.
The camera angle shifts to focus on Akira's fighter jet as it carefully circles around the base. A view of the extensive destruction reveals ruined buildings and debris from explosions scattered around. Akira takes a deep look at the devastation, and it appears that heavy artillery has caused massive destruction.
Akira stares at the control monitor of the fighter jet. The camera slowly zooms in on the monitor, displaying details. Charts accompanied by images of the base and the bodies of people who perished in the explosion appear on the screen. Pieces of a large device are visible in the center of the image.
Suddenly, in another window, several large trucks along with helicopters can be seen moving towards the base. The camera captures the helicopters and trucks slowly entering the base one by one. Akira sees no warning of an attack on the radar of the fighter jet.
The camera zooms in again on Akira's face. His expression shows doubt and concern, as he is unsure to which group these trucks and helicopters belong and what their intention is. Akira quickly checks the radar information, then returns to the monitor, continuing to process the information with increased concentration.
Akira decides that he needs to witness this operation up close. He quietly maneuvers the fighter jet towards the moving base, trying to remain aware of potential dangers.
The sequence reaches a moment of suspense; the camera shows Akira observing the base and waiting for upcoming events. The sound of the wind and the engines can be clearly heard, and Akira knows he has to make a quick decision: should he take action or hide and watch?
As Akira is deciding whether to take action or not, after a moment of contemplation, he resolves to stay observant, and at this moment, his decision is being executed.
The camera zooms in on Akira's face. He carefully looks at the radar of the fighter jet, then stares at the control panel monitor. He has no contact with the outside world, only observing and listening to these grand events.
At the base, trucks with cargo equipment are slowly gathering pieces. Akira witnesses the scene as people split into groups, collecting dead bodies and reconstructing the base.
The camera angle shifts to the fighter jet’s radar. There, red dots are visible around the base. These dots seem to Akira like a warning.
Akira stares at these dots. He still doesn't know who or what is approaching that area.
Suddenly, the control panel and monitor of the fighter jet change. The battle-ready mode is activated, and Akira becomes slightly confused. He has not yet made a decision regarding this matter. The fighter jet's defense system has entered battle readiness, and all combat tools are activated.
The camera zooms from Akira's face to the control panel monitor. He is still in the decision-making process. The sound of an attack siren is heard from the base, and he realizes that the base is preparing for battle.
Akira attentively observes the scene for a few moments, then shifts out of view. He is in the midst of deciding whether to engage in this battle or not. At this moment, he is solely preoccupied with what might happen next.
The sequence reaches another moment of suspense; the camera shows Akira's face as he is deliberating. At this moment, he is fully engaged in this scene of battle that is taking shape.
Akira is meticulously assessing whether or not to enter this battle. she doesn't want to accidentally find himself in this situation; instead, he seeks to implement a decision that he has made with planning and precision—dancing in the midst of war.