What would be the most suitable TV series for a television el? The programming must have enough tent for this el to run 24 hours a day. Achieving this is possible with some milestone series that grab people's attention. At times, a great series even have double programming in the m and in the evenings, the kind that create a widespread fan following wherever they are aired. "Dexter's Laboratory" is one of those great series any pany would wish to have. Therefore, his proje his free time is the "Dexter" series. However, he uands that the pany's focus should not be on series produ, and it's much better to trate on deliverable films.

  The work on a movie be quite borious and challenging due to the quality required frame by frame. In a way, if you work indepely, making a movie yield better returns on your time iment.

  Among the sele of movies, "Hercules" may be the oh the best opportunity. Some design challenges may arise, but there's no doubt that everything be solved with Pixar's Caps program.

  The Carson family's vaered the luxury ics factory pound.

  -Are you happy with your new phone, son? - Thomas asked.

  Seeing his son pying with the phohe programming oor and meager, but it was surely the test in teology at that time.

  -It's an unnecessary expense, Father. - Billy said, holding a rge phoh limited funality.

  -I hope you'll use it during those curious adventures I hought you'd enjoy. - Thomas said, smiling. He found it good to scold his son for his misbehavior.

  -Are you calling me a party pooper? - Billy said, pying along with his father's banter.

  -You misinterpret my thoughts. I'd call it mature. - Thomas said, adjusting his suit and stepping out of the car alongside Billy. The factory was deserted, even more so than expected for a Sunday. he entrahere was Raimon's old junker.

  -Thank you, Father. - Billy said.

  The chill on the first floor of the Lux ics factory is almost natural. Billy has grown aced to the smell of paper and the sight of workers scurrying about, moving from one pce to ahis time, the produ was in a state of passivity, with only a few workers printing ics.

  The series from Lux ics ranges from issue 66 of Sm Dunk, issue 67 of Ghost Report/Yu Yu Hakusho, and issue 14 of Neon Genesis Evangelion. In the Uates, the tinuity of these franchises has given them a certain popurity, coupled with the unique charm of the artwork. It's important to highlight the application of innovative teiques that even now ic artists secretly praise.

  -Billy, how's everything going? - Raimon asked, dressed in a Spider-Man hoodie and slippers. In his right hand, he held a bowl of gummies, chocotes, and other dies.

  -I didn't think you worked on Sundays. - Billy said, raising an eyebrow at Raimon's curious appearance.

  -I don't work on Sundays. I e because I have nothier to do, and I make the most of the day here. - Raimon said.

  -Like what? - Billy asked.

  -Well, beating the high score on the arcade games. I've gained some skills that I've been practig for the past two weekends, and of course, making money for the pany. - Raimon said.

  The pany had a total of six video game maes, including the most popur one among the pany's employees, Pa. The game that even Anne dares to py sometimes when she's waiting for Billy, who often draws te into the night.

  -I assume all this es after cheg the ats. - Thomas said.

  -Of course, Mr. Carson, I even hahe tasks that Miss Anne doesn't like to do. - Raimon said nervously.

  The Carson bosses were quite strict. Raimon thought.

  -It's good to hear that. You're the one in charge of the little iment fund we have in hand. - Thomas said.

  -I wouldn't call it little, but yes, I hahat, Mr. Carson, and I review the ats with Jack, Mr. Murphy, and Miss Anne as well. I also assist in the financial analysis of the franchises aiate with the banks. - Raimon said, proudly thumping his chest.

  -You never cease to amaze me. - Thomas said.

  -Thanks, boss. I think I'll head to the game room. Ahhh, do you guys want some gummies? - Raimon said.

  -Thanks, Raimon, but we just had lunch. - Billy said.

  -Excuse me. - Raimon said, fleeing in a hurry. Deep down, he felt they would give him more work.

  -He's quite the character. But nobody in the pany denies his talent. One of the top graduates from Stanford Uy, with an average above 9.0, and reendatioers from his professors. It's just his etricity that gives everyohe creeps. - Thomas said.

  -I like his etricity. - Billy said.

  -e, you have something to show me. Both Anne and me. - Thomas said.

  -Of course, I'll show you, I've only been able to work on some general tasks, but I already have something. - Billy said.

  -Your new animation series? - Thomas asked.

  -Well, it's just a cept for a 2D film I want to make. Remember the Hercules ic? They're good, but I think a movie could be a game-ger for the pany. - Billy said.

  -I thought you were going to make a series. - Thomas said.

  -I tried for a while, but a series is a long and tortuous process. A movie might be more suitable for me. But I do pn on a series, an iing oually. - Billy said.

  -I haven't read the Hercules ic, son. - Thomas said.

  -I've made some sketches so far. I've been w on the backgrounds oe to improve the image quality, using some tricks I learned from Hanna-Barbera. And, well, I'm still expl Pixar's Caps system. They sold a rather iing version to Disney, but with the new expehe program has made a qualitative leap in quality. John Lasseter teaches me a bit, and his students also share some insights. - Billy said.

  The room was filled with several acetate sheets painted with tempera, some trags on a light table.

  -Look at this se. - Billy said.

  It was the introductory se of Hercules, featuring Greek mythology from the time wheans ruled the world, imprisoned in the depths of Tartarus by the women from the jar. The shots were ade, and the 20-sed reprodu design was quite satisfying.

  -It's iing to veo the world of animation, as long as you don't your other responsibilities. - Thomas said.

  -Father, what matters is what we create now. Did you like it? - Billy asked.

  -Of course, it's an impressive drawing. - Thomas said.

  -Good, this is what I want to create. For now, we only have two floors i the pany. We use the third and fourth floors to create our animation studio. Initially, my idea is to work aloil ter on when hiring a few artists allows us to produce a rger series. - Billy said.

  -What do you think, Anne? - Billy asked.

  -As long as the iment isn't too signifit, creating a series isn't that plicated. Obtaining the programs from Pixar and buying the necessary equipment is a straightforward task. Now we o sider many other issues like dubbing, music, dire, aing rooms, which be more costly. As long as produ be kept at a minimum viable level, it's doable. - Anne said.

  -Let's start preparing the upper floors. The fourth floor is the smallest. A rge produ studio and a small one could eventually be created, but building ht now 't be determined by a quick calcution. - Thomas said.

  -We'll inquire with Pixar. - Anne said.

  -Yes, that might be the smartest move. - Thomas agreed.

  -Since you've decided, here's another project I'm w oer's Laboratory. I'm adding a cartoonish prefereo the aesthetics. - Billy said, showing a short clip of a young boy with e hair in a white suit and a girl in something resembling a ballet outfit behind him.

  Dexter's shorts are each 7 minutes long, making it easy to work on the series. But even if I were to create 30 episodes on my own, I 't pitch the series to Cartoowork; they've left a lot to be desired. It's much easier to try with a movie. - Billy expined.

  ....