Dark roads of motorcyclists.

  Dark, riders.

  The great city of New York, is among the world's most iic pces, with its sprawliral Park, and sky-pierg skyscrapers that inspire tless works of art, movies, events, and even cultural ferehis city is, in many ways, one of the most popur in the world, for all that New York represents.

  Joe Kubert's current headquarters is in a pizzeria he city's bustlier. Both of them are enjoying pizza and discussihusiastically since m.

  The summary of the meeting cluded with the broad strokes of the story.

  -It's a fantastic idea. The first part is about a group of bikers traveling from city to city. It starts by portraying the apparent lifestyle of these nomadic bikers. Everything kicks off when the police hear that a gang of bikers robbed a bank. The police, suspeg the nomadic bikers as the culprits, attempt to capture them. The battle escates, getting out of trol. The situation spirals into an all-out battle, instigated by the police. Things take a turn for the worse when the police start using firearms and end up killing some people, eventually capturing the bikers. -

  >>In one day, they find out that they arrested the wrong gang. The police try to cover it up, but the bar owner is friends with the bikers, and the situation bees too big to ceal. The police officers are sentenced and have their lises revoked for abusive use of force, which is ned, - Billy expined.

  -Kid, we've id out the groundwork for the first part of the series. Let's have a quick dialogue while you work on drawing the main characters and the initial ses with the dark bikers, - Joe Kubert said, anticipating the developments taking shape.

  -Of course, I'll help fiuhe characters to get started with the drawings, -- Billy said, eagerly. -- Where will we publish the story? - he asked.

  -Kid, I believe your bel is the best option. It's where we'll get the most out of what we're creating. Any other pany will take a signifit share, which is better ied in your own business, son, - Joe Kubert replied.

  -Well, Joe Kubert, I've finished drawing the main blueprints. We just o fit the dialogues into perfect syny, -Billy said, more excited than ever. It could be sidered the first entirely iry created by Billy and Joe Kubert autonomously. Every stroke and every brushstroke is a creation, and although influenced by the numerous series from which he has gained knowledge, they have now influenced his way of drawing and thinking.

  Another improvement is that it has allowed him to develop his memory and analytical ability at an impressive pace due to all the drawings he has in his memory, from the multiple perspectives he gains from reading each series.

  -e o's go to my office at Stan Lee's. That old man is an amazing scriptwriter, and with a few tweaks, we get to work in the best possible way, - Joe Kubert said.

  Stan Lee was in the Marvel ics building. With his formal work, he's one of the best figures in the world of id is sidered a living legend among the people at Marvel ics due to his signifit impaultiple works. He has a particur gift for creating stories. While his drawing skills aren't top-tier, he create from scratch. He's a true artist.

  Marvel, Dd Lux ics are the top three money-making ipanies in the Uates in that order. Lux ics barely makes it into that top three, very close to the others. These panies have noticed the numerous sales increases in ics after the sales boost, leading them to i in growth. Marvel has chosen to oversupply more, i, incur debt, and project sales. Ronald Perelman has used the growth in sales and statistical predis to max out Marvel's debt, iing multiple millions in the growth of new panies.

  They ehe Marvel ics building, where Joe Kubert was well-knowo his seniority and numerous colborations with the people. It's like Joe just entered his own office.

  -Young Billy Carson, how impressive it is to see you again, my boy, - Stan Lee said.

  -It's a pleasure to meet you again, sir, - Billy said.

  -They are w oory, so they e to see this old mahem with the script. Hahahahaha, Joe always needs me when he's creating something big. Let's see what you've got so far, - Stan Lee said.

  -Oh, my old friend, you'll be amazed by the story we've created ihan five hours. This series will bee one of my favorite works. The anti-hero genre has always been to my liking, so the story will have that dark twist I've always enjoyed, - Joe Kubert said.

  Billy's drawings were simply breathtaking for ithusiasts. The Dark Bikers story is about an anarchy that enpasses every er of the plot. Some use excuses, others follow their general is, and some hold absurd ideals. The story's beginning will walk into darker dystopian endings.

  -It's an amazing start, one of those that sends chills down your spine, - Stan Lee said.

  -That's our leahe goal is to uhe entire p three demonstrations: the passage to the end of the world, the end of the world, and the new life, - Joe Kubert said.

  -Quite iing. The story will dedicate itself to giving different forms of what would happen oh, something worth paying attention to. If you allow me, I thiailing the stories of at least five people enhahings. It would allow for better reader e, - Stan Lee said.

  -The stake myth, - Joe Kubert said.

  -I see you uand, - Stan Lee said.

  -What is the stake myth? - Billy asked.

  -You see, this myth is a notion we have that the most read characters are those who create sympathy with the reader. By showing them as more imperfect, we o uand what motivations people have, and all those motivations are archived under a series of siderations. For example, Spider-Man is the life of a high school kid, a kid with insecurities who bees a hero out of responsibility. Meanwhile, we ect with the reader, showing some fws, and all those fws gee annoyan people. But when those fws annoy people, that fw be the saving grace that ends up enting everyo's like a stake that gets driven into people's hearts because it's driven into people's hearts like a stake, - Kubert expined.

  -I see. It's quite astonishing, - Billy said.

  The Dark Bikers were born after extensive work betweehree ic creators, a project that resonates well. Given the dystopian themes that writers would explore shortly, Dark Bikers would lead the way in the 1990s.

  Stan Lee corrected various details as his perspective, shaped by decades of experience as a writer, differed from that of others. His ability to weave stories, spot insistencies, raise questions, and introduew plots and angles was remarkable. Oher hand, Joe Kubert had the gift of veyiions and crafting stories that touched the heart. He could anize a story to make it beautiful.

  -Do you have everything in mind, young man? - Stan Lee asked.

  Billy simply lifted the drawings he had been w on. After their discussions, with careful strokes, he brought his mental visions to life. The quality of his drawings was glorious, representing a teological adva of about twenty years in skills. This left even industry geniuses like Joe and Stan Lee bewildered, as their skills were focused on telling magnifit stories above well-drawn pictures.

  ...