It became official; The Lion King trailer started airing on various television els. There's no skimping on advertising, and the Pixar 2D logo is undeniably eye-catg. The third movie from Pixar is catg the attention of many, presenting a petition only matched by Disney's historical Victorian animation style of princesses and following the natural thread of representative stories.

  Both released on Juh, it's a box office battle that's enviable in the eyes of fans and kids determio see both stories. trary to Disney's judgment, the lions are captivating, and the images of a friendly smiling lion have captivated many children.

  Out of the 95 million, 35 million ecifically allocated for The Lion King movie, from the produ of numerous plush toys in the factories of Thaind to global promotion. Multiple els highlighted The Lion King's songs, the toug beginning, and an anthropic Afri song highlighting the savanna, culture, and wonder of animals.

  -Another success, - Billy mentioo the hotel's TV. He waited for an hour for the television while sketg episodes of Evangelion and Yuyu Hakushu.

  The door sounded with a soft knock, a silent tap. Billy's suitcase was ready uhe bed. He opehe door, and there was the smiling Mi, entering the room with ane dark blue suitcase.

  -Apparently, yesterday was the st day of filming, - Mi said.

  -It was. Mr. Ronald also said goodbye to me, -Billy said.

  -So, will you take me? My flight leaves at 5:00 pm, - Mi said.

  -Don't worry. In two hours, on Route 95, we'll get to Las Vegas. Have you had breakfast? - Billy said.

  Putting the white sheets into a bck case, he then took Mi's suitcase and pced it o his.

  -Not yet. I was very tired yesterday, you know. I'm so tired that I don't feel like making that trip. I prefer to go back to New York a for the remaining week, - Mi said.

  -e o's go down to eat. The hotel buffet will prepare us for Las Vegas, although we'll have to take part in the journey by bus. After all, I have to return the car, - Billy said.

  -What bad luck, - Mi responded pyfully.

  Billy grabbed Mi by the waist, invitio eat. Mi just rested her head on his shoulder for a brief moment before pulling away from the affeate gesture. The tent affe betweewo people, after dinner, some ughter, and Billy's gestures, has impressed Mi.

  On the background television, The Lion King trailer started pying: the Afri suhe movement of animals, the majestic waterfalls, zebras running, gazelles,he passed and elephants moving. The protagonists and antagonists appear, singing the Circle of Life song, closing with Rafiki lifting Simba, but the Circle of Life tio py.

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  Universal Studios

  Frank Biondi Jr. reviewed the two attached trailers. In each of them, he could distinguish that Disney's quality resent again. Frank Wells had approached him before his passing for the Oscars of Wals & Growing. He didn't know how much mohey had spent, but it was a siderable sum. Now, with the struggle of a new movie, a minimum of four produs was o have a shot at the Best Animated Feature category.

  -Is this new animation pany any good? - Fran Biondi questioned, primarily due to ret activity and Frank Wells's curious request that had prompted this collective attitude. The defense of Lux Animation was brief and less persuasive.

  The Lion King trailer was in view, leaving many positions delighted with the intro of the song, a toug song that petes against the best musical produs of the moment.

  -They are remarkable. Acc to Universal group's information sources, they are pnning to veo animated television, 2D animated films, and, most notably, their 3D movies, which already presupposes a sequel, - said Sid Sheinberg, a long-time executive of the Universal .

  -They have been very close to Ambliertai. They have made two hires, with the test one about to be released, - said Lew Wasserman.

  The room of ten men in suits, each with a strong personality, is successful in their industry. The rich tapestries and the rge cedar table are undoubtedly elegant. Since 1993, Universal has been behind the ses, watg Disney and Warner's as. Lux Animation has caused an expectation that is somewhat relut from some panies because Lux Animatio disrupt the is of panies like Sony, Paramount, and Universal.

  -That's correct. They requested help in terms of produ and dubbing, which they paid for. Even from our standpoint, Amblin now also wishes to veo an animated film, - said Jerry Longband, COO and a very aplished horror film producer who, over time, shifted to office work.

  -With the box office success of our st releases, I propose that we ehe creation of our animated series. However, uhis figuration, I want all of you to firm the proje of this project that be beneficial for our pany, - said Frank Biondi Jr.

  Raising his hand to give way to one of the founders of Ambliertai, who also piled data on animation and the viability of the project, Kathleen Kennedy stood up. It was the sed time she attended such a signifit meeting, and she couldn't help but feel pride c through her heart.

  -Thank you, Frank. First, I would like to expin about this new animation pany, which certainly ot be ignored. From my work as a producer at Ambliertai and a producer owo films produced by Lux Animation, I see that the future in the creative industry is limitless, - said Kathleen,

  pointing te, white panels taining some photos of Lux ics' facilities and some shots taken during the produs of Hercules and The Lion King. The pictures showed the wide windows of the Lux ics factory and numerous desks decorated in random ways, plush toys, and some musical instruments, more resembling an artistic than anything else.

  -From my perspective and that of Roy Rodden and Frank Marshall, this pany is undoubtedly the most powerful for animation I've seen i years. From the television el to the pending projects, the work enviro, and the air you breathe, creativity soars above everyohe Lion King movie will be a total success, and I add that it will be sidered one of the greatest animated films in the history of animation. Therefore, based on my research, the feasibility of creating an animated pany is high. I even sider that we are te, as in the ing years, this Lux Animation pany is fantastically visionary. Therefore, I propose the first dition: if we create an animation pany, Universal Animation, in any case, I suggest that it be done in colboration with Lux Animation, - Kathleen decred.

  The otion began as Kathleen's fttering words, backed by two other producers, raised arms in a way that a simple neer article couldn't. The persoo Kathleen, of Asian dest by appearand Western dest by surname, Kim Joook the floor.

  -Why is this pany so incredible? Let me tell you the story and creation of this pany. The key figure is Billy Carson, an 18-year-old who started selling ics at the age of 12 in his garage. Our sources indicate that in the mid-1990s, they allied with Warner, Nike, and Dark Horse ics. Ihan six months, this pany caught attention for its innovative stories and excellent visual quality. In 1991, although a specific date is not firmed, they acquired Pixar from Steve Jobs. We believe that Lux ics' ic sales are in the millions due to the rapid growth they've achieved. This has frightened Warner and Disney, leading them to attempt business sabotage through entry bans, agencies, and produ stances. However, that's not enough to dismiss a pany that has created so many successful series, - said Kim Jones, banging the board with titles of the most popur series like Sm Dunk, Evangelion, Yuyu Hakusho, Hellboy, Shaman King, Samurai Jack, and The Walking Dead.

  >>For an ordinary artist or creator, having a good story is fantastic, but you gentlemen are in the presence of one of the greatest writers and creators in history. All of his series are excellent, and his fans are numerous. It's estimated that at least 1 in every 7 children reads Billy C.'s id the a of Billy Carson. In its growth, it has ied in the creation of series and movies, of which you know factual data about Hercules released in 1993, Toy Story in December 1993, and soon The Lion King in June 1994. -

  -This viral growth has established roots in the video game industry with the famous new video game pany, ID Software. The influence, which we assume inated from Disney, extends beyond the video game industry, and the goodwill of this pany is through the roof. Many people believe that if it's done by Lux Animation, it's good. The most vulnerable at the moment is Disney, a pany that has always relied on children's series. Although they have e up with good produs like The Little Mermaid, Beauty and the Beast, Addin, and 'The Last King,' a film set to be released soon, they waver in the face of direpetition, - said Kim Jones.

  Kathleen Kennedy nodded in agreement with the categorical resear the operation and expansive growth of Lux ics.

  -Tell me, Kim, will they veo television? - asked Sid Sheinberg.

  -They will. By October of this year, 1994, the Lux Animation el will go on air, and we don't know the impact or quality of the series they will premiere. But so far, the legion of animators has created at least 6 to 7 series, produs of excellent quality, - said Kim Jones.

  The quick overview is that Lux Animation, under Kim Jones's scrutiny and some others, has set the stage for the world of animation. How they expanded everything under animated brands gees a sense of disfort for people in the industry due to rapid growth. Although some panies dismiss their growth due to the pressure from Warner and Dishe future of a pany that could be sidered among the Big Sevees repulsion.

  What has caused insecurity and overshadowed the union of Steven Spielberg and David Geffen? They are already w on the creation of DreamWorks Pictures.

  Kim Jones finished speaking, his stroures were practical for this type of informational meeting.

  Kathleen Kennedy the summary. - Thank you, Kim. The analysis is that the roots of Lux Animation are driven by one person, and that's Billy Carson. This kid has extraordinary talent, and there's something that John Lasseter himself jokingly says because he siders Billy Carson the Walt Disney. A person with such ambition ot be simply bought with a few dolrs. I believe that creating our animation studio or making an acquisition help us establish cooperation with Billy Carson while creating our own stories, - said Kathleen Kennedy, cluding with all the gathered information aan creating a subsidiary for an animated el.

  -Do you firm the creation of our animated film produ pany? - Lew Wasserman asked.

  -Yes, and I envision cooperation with Billy Carson. We are entrepreneurs; we earn good money. Although cooperation is disced by Warner, who has fostered a suspicious state due to the severed retionships, and beyond that, the wsuits have also caused some caution, - said Kathleen.

  -Do you know anything about Rob? - Jerry Longband asked Sid Sheinberg, the ret director of Warner.

  -Nothing new, - he replied.

  ...