March 21.

  The dubbing was marvelous, and Billy recorded the st necessary ses. The dynamic remains lively due to the success permeating the air, and you see that the Lux Animation team, cheerful, has that fervent passion in their hearts for the movie that will soon be released.

  The eveniered the pany; a group focused on tweaking the Cow and Chi series, while others were in charge of the Gargoyles series.

  On the fourth floor, the rec studios ceased activities. John Lasseter was talking with Robb Mikoff and James Earl, who portrayed Mufasa. James's voice impressed Daniel McCraig so much that he's sidering using him as the narrator in one of his future series. Daniel has already thought about creating a series much better thaer's Laboratory and Powerpuff Girls.

  -Well, I'll probably hire you for a series, - Daniel McCraig said to James.

  -Always grateful for your pliments, - said James Earl.

  -I would also like you to a our movies, but he's a difficult and busy individual, - said John Lasseter.

  -Well, I have ideas in mind, but there are still doubts about how I should iwihe series, - said McCraig.

  -Well, save a bit and talk to the boss, - said John Lasseter, suggesting that Billion Darwin was a different person from Billy Carson, at least in a proper sense. Some fidentiality cuses and requests for...

  This new series is under sideration. To create a blockbuster among their searches, many sources of inspiration are needed. Billy mentiohat they could use the series Lux ics has in terms of cht. But nothing satisfies him, and this mental block is not only happening to Daniel McCraig but to many animators who have worked uhe shelter of Lux ics.

  The purchase of different chts is allowed, such as in the case of Meteor. But the ics published by Doom give him a certain fantasy and longing, like a Western series, the Midwest, Trigun.

  This rhythm leads us to an animator from the pany.

  Jozz Stokman, an animator who has been w for Lux ics for two years, has been w on his own for a while, on a story he wants to vey. In an animated series, the ditions are a suitable storyboard along with an acceptable script, and this process has taken him a year.

  His series is "Hardman Lash," a young musi who has problems in high school until he meets a great vocalist who sees him in music css pying the guitar. From adveo practice to bee the best band in America. He has created the main characters, a band of six people, the script along with the outline of 40 episodes, a beginning, and an end.

  The main rules proposed for Lux Animation proposals are:

  A storyboard with at least all the protagonists and main characters.A well-established script with a logical, crete story.They must follow the basic rules of animatioory should be for young people and should refrain from sensitive behaviors, profanity, and adult ses.It must have a set beginning and end, or at least delimited arcs. However, if proceeding with indepe episodes, it must have a  fixed aermined sequence of the series' depende a budget.For Jozz Stokman, everything was very clear; the first five points were delimited. However, the budget of six million dolrs for music lises is somewhat expensive, costing more than the animation dubbing.

  Luckily, the boss was here, who had the final say for approval. - Jozz, right? - Mr. Gorman said.

  -Ah... yes, - Jozz replied.

  Jozz is a twenty-seven-year-old with long hair down his back, worn loose. He wears shirts featuring rod metal bands, and people always notice his long, thick eyebrows.

  -You filled out the form perfectly. Give me a sed; I'll file the form. It's been a while since we've had one for a new series, - Gorman said.

  The file list only has six forms. The first is for the Powerpuff Girls series, the sed for the children's cartoon "The Adventures of Rocky and Bullwinkle" - by Jay Ward, the third series is for Scooby-Doo, the fourth for Meteor, the fifth is for Train Souls by Anna Szymanska, and the sixth is for a series made by Greff Lomz called Astronauts.

  -Good luck, kid. Brihe approval record or the reje form. Remember, you have six months to submit the series again for approval, - Mr. Gorman said.

  Jozz, not very talkative, nodded.

  Taking the approval form, the first filter is Anne Hall. She carefully checks that the requirements are met quickly, and if it seems acceptable, she accepts the proposal sheet and saves it for ter submission to Billy.

  Jozz walked directly to the delivery, in the mail, he ran into Paul German.

  -Paul, - Jozz said.

  -Jozz, I see you're bringing a new series to the factory, - Paul German said.

  -Yes, that's right. I bring a series I've been w on for a year and a half, - Jozz said.

  -Work hard, Jozz. You've got petition, - Paul German said.

  The bar is set very high, not only with the movies made by Lux Nation but also the series and ics, all very polished works, all trying to present the best drawings... Jozz himself worked hard to improve the character designs and present the main backgrounds, which follow a style very simir to Hellboy.

  -Thanks. -

  Paul German just nodded; he had to head to the sales department.

  Meanwhile, Jozz walked to deliver the series to Anne. She would review it shortly and present it to Billy. If he rejected it, the st option was a democratic review by three animators in particur.

  -Good afternoon, Director, - Jozz said.

  -Ah, good afternoon. Do you need something? - Anne asked.

  -I'm submitting a form for a new project, along with the necessary dots. The pnned script, storyboard, sketches, and project structure, - Jozz said.

  -We'll review it. You leave it on that desk, - Anne said, pointing to the front desk, which had a rge bck tray.

  -Thanks, - Jozz said.

  ************************************

  Paul German was absorbed iask assigo him, a new job given by Anne Hale, the director of Lux Animation, who sent him to the sales department, currently in charge of the pany's iations and agreements. The two iators present at the moment were Steve Parks and Kevin. While Steve Parks hahe buying, Kevin took care of selling the pany's products.

  -Mr. Parks, - Paul German asked. He didn't know Steve Parks, but the man in the wool vest raised his hand aured for him to sit.

  -Tell me, I'm needed for something special, - Steve Parks said, taking a sip of coffee.

  -Anne Hale, the director, seo iate the purchase of a particur series with Trans-Lux, uhe produ of Fred Wolf Studios, - Paul German said.

  -Sit down. First, we o duct thh resear the avaibility hts and, if possible, make a valid offer that doesn't viote the market value, - Steve Parks said.

  -All right. The main thing is that the film lise is in the hands of Trans-Lux, but it's unknowhey priced the rights to create the retly celed animated series due to low viewership. However, Speed Racer Enterprises has the plete rights to the work, - Paul German said.

  -Is it a purchase of film rights? - Steve Parks asked.

  -Yes, it is. We want to remake the entire franchise, - Paul German said.

  -Well, I'll study the case as best as I . My Japanese is poor, so we'll need a transtor, and starting the iation won't be easy. Depending omosphere, it's easy to obtain a lise for 10 or 15 years. As for film rights, it be anticipated, - Steve Parks said.

  Among the files on his desk were the purchase of the Tor Books publisher, the acquisition of The Lord of the Rings series, The Adventures of Rocky and Bullwinkle, and the keyword Marvel.

  [1] These series refer to shows that do not follow a set timeline; instead, they have many episodes with plots that don't st more than one episode. Examples of these series are Loounes, Popeye, The Powerpuff Girls, and Scooby-Doo. However, these series do have a predetermined pattern, which is a set of rules that must be followed during the episode. For example, in Scooby-Doo, it's solving the mystery; in Popeye, it's saving Olive Oyl from Brutus, and in most episodes, certais must be repeated.

  ...

  Here is the fact, that the impulse to create a series will not only e from Billy, but from many people who get ied with the series made by Billy, creative sarios, gee creative petences.