A love movie is a shared challeween a man and a woman that must be ironized ihan two hours, three for Titanic. A love story that vihe audience, and hypnotizes them, with its argumentative structure to a few who prefer the circle of romahe renegades who deny otherwise, do not respond to the fact that love movies are at most, movies made to empathize with couples, from those seeking love, others who watch with i, and even some who reject it but see in movies an idea of romantic love that attracts at first sight.

  Billy rested on Julie's legs, paying attention only to the soft sound; Julie's humming was enough for Billy to hear and for others not to hear.

  -What's that song? - Billy asked.

  -AC/DC, - said Julie.

  -You're crazy, - Billy replied, amused to think the song was something more romantid endearing than that rock song, pure rock, speakers in the air. Sometimes Julie always surprised him with ideas that were beyond his imagination, from some strange foods, street restaurants, street stalls, and vintage shops, they had done everything, even the clothing was sed-hand, in a clothing store in Fra an eical price, they washed it with boiling water before using it.

  -I'm edug you; you should know about the good music you're missing. Tomorrow it'll be Bob Marley, - said Julie, trag Billy's eyebrows with her finger, giving him a shiver; the small movement brought a smile to Julie's face.

  They tinued in peace; Billy decided to read his thick book on medieval history. He found three giganties on medieval history collected in a dusty er; they were books that caught his attention the most because of the images, in the form of an encyclopedia, the size was a bit rger than a pocketbook; he dedicated himself to a thh iigation of the Middle Ages, reading with Julie, in cafes or befoing to bed.

  -We're here, - said Julie, seeing the train stop; the location gave a desire that they would have 45 mio perform a se, with two people who were b on demanding, it was a plete challenge.

  -Take 1. Se 3, - said Richard.

  The rec begins; they both look at each other with a certain iy; Billy evokes Julie's thoughts, topless; he doesn't know why he did it, but his eyes applied a look that pleased the cameras.

  [Two excmation points]

  The system message didn't distract him, but it did make him lose his thoughts like a raft adrift, Julie's eyes raised an eyebrow at the ck of dialogue, but Richard loved the se, and made a brief movement to focus on Billy.

  -I have a pretty crazy thought. If I don't ask you this, it'll be one of those things that haunt me forever, - said Billy/Jessi.

  -What? - said Julie, she was inhibited by Billy's gaze, it was a hungry look.

  He simply moved a bit closer, closer, Julie tried to move back but only mao lean closer to the chair.

  -I want to keep talking to you. I mean, I have no idea what your situation is, but I feel some kind of... e, - said Billy/Jessi.

  -I do too, - replied e.

  -So, how about this? Okay, well... I want you to get off in Vienna with me. We take a look around the city, - added Billy/Jessi.

  -So what would we do? - said e.

  -I don't know. All I know is that tomorrow m, I'll be taking a flight on Austria Airli hirty, and I 't afford a hotel, and we'll probably be wandering around all night. If I turn out to be a psychopath, you run away at any time and catch the rain back, right? - said Billy, gesturing with his hands, lightening the matter, that a girl he just met would run away with him, following the script perfectly.

  She tio think, Julie/e tries to look at distress. Billy tries to get more into character, imagining that if e doesn't accept, he'll feel very depressed, very sad, and very lonely.

  -Think of it this way, life moves on, you get married, this. Move ten, twenty years. Your marriage just doesn't have the same energy anymore. You start bming your husband. You think of all the guys you've met and all the ones you never pursued and how things could have been different if you had go with one of them. Well, I'm one of them. You sider this traveling ba time, to see what you're missing. Look, this is a big favor for both you and your future husband: it's an opportunity to check that you haven't missed anything. That I'm as b aivated as he is, hopefully, more so, - said Jessie.

  Following the dialogue.

  -I'm not sure I've uood the whole story, but let me grab my bag, - replied Julie.

  -Cut, - said the director, the small team of assistants raised their thumbs in agreement, everything perfectly.

  -We'll redo the shot, this time, from Julie's side. I want you to add some improvised shots at the end of the speech; we'll see if it's worth adding some more suspense, - said the director.

  It was one of the exercises; Billy performed a se with Julie, following the script perfectly, and they performed another se, this time, pying with the art of improvisation.

  -Give me a few seds, - said Julie, thinking about the se and how to improve it; she felt that Billy was a great actor, not just a passing one, he was a great actor, a rich kid with a director uncle and most likely a producer father, but it didn't take away from his ag talent.

  -Is everything okay, Julie? - Billy asked.

  -Nothing, I'm just refreshing my work, - said Julie. Billy was a method artist, but he also followed many steps from the English school, pying with his posture, and idealizing the character in his way, addiails imitated from others, not necessarily part of the method. Billy not only worked hard but also had a system that helped; it was almost double the work, but it was worth it, as he developed such skill.

  trary to her work with Mili, who sought petition, Julie retreated and immersed herself in projeg the role she wao py. Once challenged, Julie was depressed.

  Julie came with a determined look after ten mihe performance promised. The se was repeated due to a graphic error.

  -Se 3. Take 3, - said Richard.

  -I have a pretty crazy thought. If I don't ask you this, it'll be one of those things that haunt me forever, - said Billy/Jessi.

  -What? - said Julie, responding with equal iy to Billy's gaze; her rge eyes turned slightly reddish.

  He simply moved a bit closer, closer, Julie moved closer to him. The ge was subtle but noticeable, with evident force, how Julie wao ie herself into Billy's essence, crossing Billy's posture with hers to pact the se.

  -I want to keep talking to you. I mean, I have no idea what your situation is, but I feel some kind of... e, - said Jessi.

  -I do too, - replied e.

  -So, how about this? Okay, well... I want you to get off in Vienna with me. We take a look around the city, - added Billy/Jessi.

  -So what would we do? - said e.

  -I don't know. All I know is that tomorrow m, I'll be taking a flight on Austria Airli hirty, and I 't afford a hotel, and we'll probably be wandering around all night. If I turn out to be a psychopath, you run away at any time and catch the rain back, right? - said Billy, gesturing with his hands, lightening the matter, that a girl he just met would run away with him, following the script perfectly.

  She tio think; Julie/e tries to look at distress. Billy tries to get more into the role, imagining that if e doesn't accept, he'll feel very depressed, very sad, and very lonely.

  -Think of it this way, life moves on, you get married, this. Move ten, twenty years. Your marriage just doesn't have the same energy anymore. You start bming your husband. You think of all the guys you've met and all the ones you never pursued and how things could have been different if you had go with one of them. Well, I'm one of them. You sider this traveling ba time, to see what you're missing. Look, this is a big favor for both you and your future husband: it's an opportunity to check that you haven't missed anything. That I'm as b aivated as he is, hopefully, more so, - said Jessie.

  Julie made a gesture that the camera could only capture. Helpless.

  -.You , although I didn't uand the story, we do what you're asking for, - replied Julie.

  -I'll do my best, - said Jessi, almost wanting to hit himself at the overly cheesy and foolish line.

  Julie could only ugh a little.

  -Cut, - said Richard.

  Billy let out a sigh; he was holding his breath while ag. Julie k that moment that Billy's iy would tihroughout the shoot; it was something she couldn't overlook; it was his method; it was an iy of immersing himself in the role; he seemed like a lovestruck boy. Very mu love.

  -Let's do the st take. We have ten minutes; I hope you follow the words from the st take; you have them, - Richard asked.

  -I'll do the best I , - said Julie, preparing for another ag jourhat she kneushio the limit; it was the first time in her films that she found such a vibe, such power, to attack, in an actor. She had entered it before, of course, but not against her.

  That was stealing the se. That was what the actors said, that one person domihe se, Billy domi, direg his character, even though she wouldn't doubt that Richard focused more on him than ohat doesn't matter! What matters is that she's being overtaken, crossed in her field—thought Julie.

  ...

  We tih the recurring journey of making more publications, two, in my fanfics, I will tinue writing the pace has been fast, we are going on Patreon in chapter 277, although I have drafts up to 282.