October 17.

  Dreamworks was officially unched uhe shadow of Universal, this pany aims to achieve independence while pocketing a lot of money, although basis are bei with uhe term that there ot be another major pany. The political tremor kept fronting, Michael Ovitz left the CAA representation pany, rese from the board ament from another board that accepted a man who rose to the board purely through ism, with just a stroke of a pen. The ge had not been made, and Michael Ovitz wao end his work, but Michael Eisner had already introduced him, in less, with the dition that Michael would resign by January 1995 at the test. For now, at CAA, this term ended with all of his work.

  Ovitz's departure from CAA was a blow to the agency, as it lost one of its co-founders and most iial leaders, who have iial tacts. However, the agency must tio operate, although from its petitors, the war for adjustment has already begun, and the hunt f stars has been called. Many stars have started to be tempted by different representatianizations, including the William Morris Agency (WMA), Iional Creative Ma (ICM), and Ualent Agency (UTA).

  Smelling blood, they made some itments with agents, and some stars who have performed, like renewing tracts to demonstrate the stability of the pany, and many businesses have stabilized.

  -Steven, it's a pleasure, - said Jeffrey Katzenberg, taking the initiative to introduce himself to the Dreamworks pany. He wao present himself at Lux Animation out of spite, but i years, he has seen that the ma is not impressiohey i little in ma, and the remuion is not as high as it be in other pahe versation he had with David Geffen was clear; a pany that was not subject to business rules. Such business rules, extra hours, little profits, and poor bes. Being a used and worn-out product is not relevant. Therefore, the versation with David Geffen mao i Jeffrey Katzenberg.

  -I couldn't believe it when I heard that one of the most successful members like you would start creating tent on your owe everything, I feel fttered that you extend an olive brane, - said Jeffrey Katzenberg, taking a seat in Steven Spielberg's office, a building under renovation from a previous pany now part of the pany, a small habitable wing, the other fully occupied by different builders who began hammering at the first light of m, the aesthetic anization, along with some important parts, the pany was ambitious, and for now, they only started with a television produ pany, a film produ pany, and a music produ pany.

  -I suppose David told you all the importaails. In the ing days, I would like to avoid all the intrinsic issues of this administration aiation profession. What did you e to propose? - Steven asked.

  -Nothing strange, just one important thing. Disney has been under my judgment for the st 20 years. I've worked tirelessly produg, direg, and proposing different animated films. Michael Eisner believes that Disney is a corporation, with which he is pletely wrong. I have follive me space to create an animation studio, and in the ing years, we will show Disney what it means to be a film producer, - Jeffrey said.

  -Do you want to promote an animation pany? - Steven asked.

  -I want it. For hiring, there's nothing to worry about. I bring people who will follow me in fidence. I have future projects in mind that I tried to promote, but Disney's animated spirit blocked mine and those proposed by the renegades, the king of Midas, the musical genius, and the animation director, - Jeffrey said, extending his hands on a rge s.

  -How much y to the table? - Steven Spielberg asked.

  -Well, my animation produ team and pensation that Disney owes me. They cim that only the price of 10 million, which I will challenge in court, by approximately 330 million dolrs, which is the profit I have brought to the pany, acc to ats aiations, I ihat money, - Jeffrey Katzenberg said, who had led Disney's pany to success in many other things.

  -Very well, let's do it, let's dream big, - said Steven, shaking hands.

  -DreamWorks, the work of dreams, - said Jeffrey Katzenberg, giving a long talk about his ideas and his uping projects. The pn to start an animation pany is not on. Only Billy Carson has stood up to the world of animation.

  Jeffrey Katzenberg's service is a giant career; it started at Paramount Pictures, and from there, he has made numerous series, from Star Trek to Indiana Jones. He was brought in by Michael Eisner himself, and now he is rejected.

  Although it is painful, from another point of view, Katzenberg fought for the presidency position, and after not being satisfied, he demanded profit at the box office over the price of the movies that have made money, Steven himself accepted Jeffrey, but he knows that this guy is ambitious.

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  For Jim Waitt, the day had not been good. Since m, his t Billy Carson had been in the eye of the storm, fag a powerful attack. An image of a young Billy Carsoing the camera with the title - the you billionaire" by The New York Times elongates what is a description of a 20-year-old, even if the age is incorrect. Jim thought, "He owns numerous panies, from ics, animation, video games, fast food, puting, ema, to hospitality, and his fortune is estimated to exceed one billion dolrs. -

  The California Post talks about a secret romaween the successful businessman and Winona Ryder, in a photo that finds them promisingly holding hands, almost kissing, closely. It's clear how she puts a hand in his hair, attempting to fix it. The article cims the actor is a pyboy who disregards people's feelings. On the page, there's a photo with a member of his cast, Mili Avital, walking hand in hand oreets of Texas. The photo is good, but if scrutinized closely, their hands are not together.

  The Washington Post mentions a fight Billy had in a bar while at Stanford Uy and how he used the moo threaten the police officers at the station. - That never happened, - Jim furrowed his brow. -Was Billy hiding things? -

  Spam of photos, the most arming one is a pint from someone g Billy stole their characters and cht. The person called him a thief, questioning his use of ghost artists with svery tracts and g ownership of others' drawings as his own, a true publicity thief.

  Although Jim Waitt wasn't the only one the media's movement, the Ameri boom seemed to detail Billy's life with such precision. Firstly, Jim khe measured attack firmed nothing and acted upon blurry photos; the publication was written in a way that her firmed nor denied anything except the grave allegations of product theft.

  His sed fear: Billy needed a bodyguard. Now that his truth was pletely uncovered, he called an agency eg with the retired military, security panies, prote teams, and bodyguards specialized in high-profile figures.

  -No matter, I want a full security service, prote service, rec service, and personal prote, - Jim said over the phone, receiving multiple calls from his boss, colleagues, acquaintances, Sony, bia, Universal, minor men, and even a quick call from a surprised James Cameron, who didn't expect the 13-year-old boy to rise so high.

  -55,000 a year. Perfect. I want the security package, - Jim said. - Have them e to my address, noted xxxxxxxxxx. They have to start tomorrow. Send me your best agent, needless to say, I will verify their resume, - Jim said, knowing for certain the pany was good and acceptable.

  'Billy needed more prote as far as the photos are ed,' he thought, sidering the danger of the situation.

  trary to the extent of the situation, it only enpassed an anized and eborate effort by a group of two full-time paid paparazzi and a private iigator who, over the st few months, had been everywhere with a team of two workers, with many resources to dig up all possible information.

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