The love movie gradually accumuted the necessary tension portrayed on camera. From the viewer's perspective, the retionship formed between e and Jessi was the result of an undeniable chemistry and a willio love by both characters, who performed loving ses regurly. The tacit love shown in their gestures was solely due to Billy's focus, who, with memories of the movie in his head, decided to make Jessi even more sensitive than she already was.

  The main assertion of the entire draft was the flourishing love between a man and a woman. However, the chemistry that emanated was not physical; it iritual. The spirituality i in each gesture or act takes prece, thanks to Billy's signifit effort to portray himself as a foolish lover. The plicated state of arriving there is due to the many signals people emit when they are in love, but the most difficult thing to achieve is the sparkle in the eyes.

  Final se, take 2. -

  At the train station at dawly twelve hours have passed sihe moment they first met. They walked to the carriage with a certain vulnerability, even timidness; the end for both was iable.

  -Do you know which bus to take to get to the airport? - e asked.

  -No problem, - Jesse said.

  -I guess this is it, isn't it? - e responded.

  -Yeah. Really... you know, - Jesse said.

  -I know, too. You lied to me, you know? - e said.

  -What do you mean? - Jesse replied.

  -You told me that our time together would someday make me happy with my future husband, but now I wonder about that even more, - e said.

  Jesse's ment was enough for e to detect the ge; the pain of parting was clear.

  -Be happy, okay? Work hard and have fun with everything you do, - e said.

  -I will. Good luck with school and everything... I hate this, - Jesse said, like a little child.

  -I know. I think the train is about to leave, - e said.

  They gaze into each other's eyes. Jesse takes e's hand and squeezes it tightly. They smile, knowing they have ged in ued ways, and then they embrace tenderly for several moments. They part, and e suddenly turns and climbs the stairs to the carriage of her train. When she reaches the upper step, she hesitates, turns around, and looks back at Jesse, who is still looking at her. He signals her to wait a sed.

  There is a stifled silence. Jesse makes a decision.

  -Hey, everything we're saying is nonsense. All of this is stupid. I don't want to do it. And I didn't lie to you; I'll prove it, - Jesse said.

  e ughs.

  -Yeah? Like... - the st words e stuttered, but they e from Julie's soul, who has followed the love story closely.

  -I'll go with you, - Jesse said. This time, much more determined.

  -No. You'll drive me crazy. You don't speak French. I'd have to take care of you pletely. It would be a big mistake, but maybe we should meet in five years, - e said.

  -Yeah, you think so? Five years? - Jesse said.

  -No. Five years is too much. It would be more like a sociological experiment. How about one year? -e said.

  -Six months, - Jesse said.

  -But it'll be very cold, - e said.

  -We'll meet here and then go somewhere else. It could be Spain, the coasts of Greece, anywhere, - Jesse said.

  -Well, will that be in six months or st night? - the girl asked, with total curiosity.

  -Last night. Well. Six months si night. December sixteenth, six iernoon, ptform eleven, it's a train journey for you, but I have to fly. I'll be here, - Jesse said.

  -Okay. And we won't write or call or anything, right? - e asked.

  -Okay, but six months, - Jesse said.

  They look at each other for a sed and share a kiss that veys a desperation that is palpable in the camera's eyes. Almost like a goodbye.

  The kiss, a kiss that made Richard behind the camera sigh, for the palpable divergent love that rose in the air; on one hand, it was the promise of a future enter, oher, it was the end of the road and possibly the end of the sporadic retionship.

  e finds her way to a seat. Jesse retrieves his belongings from his locker and begins to walk. As his train slowly departs from the station, we hear the harpsichord and see a series of shots of many of the pces e and Jesse inhabited the night before. In the early m hours, these pces are now somewhat different. Although there is little human prese this time of day, transformation has begun. We see Jesse b his bus to the airport. Then we see the park where they danced, sang, and looked up at the sky. An elderly dy walks slowly across the wn. e is sitting orain and reading. She looks up from her book and simply gazes out the window at the passing ndscape.

  -Cut. –

  Julie gets off the bus; it's not just Jesse's end, it's the end of the movie, a movie that has taught them both different things at different times, like the deep method ag of Billy, so that Julie uands that sometimes an actor break through yers and nuances, even if it doesn't seem on, the big stars do it with siderable skill. But, only that happens when dedication reaches its peak.

  -That was a good se, - Richard said, his thoughts still swirling in his head.

  He didn't feel the o shoot it; they had already done some quick shots in the early moments, from some angles, saying goodbye, like a plete take. What Richard liked most were the expressions of disappoi, the painful love that is fotten, lost in the past, like a star on the horizon.

  ****************************************************************

  -These are just gossip. Hollywood is nothing but gossip, - Winona said to a frantic David Painter.

  -Look, it doesn't matter. I don't uand why you're so insistent on justifying your decisions, - David said. However, Jack's evident behavior was the key indicator that he was hurt; he ignored Winona and wouldn't allow her to act as she normally did.

  -Why are you ag like a wounded man? Look, I'm telling you, if you want to go out with me, this is going to happeedly. Besides, someone is targeting Billy, look at how they're calling him out in every neer. I say he's the opposite of a pyboy; he's modest, kind, and ho, - Winona said. In trast to the words "liar," "unfaithful," and "coarse" in the neer that tio cause a stir, the impact was a wave of movements that did not go unnoticed by the public.

  Expressing her opinions about Bill, who in her view had a behavior simir to Keanu, was delicate. He was usually more introverted, chivalrous, and humble.

  -Okay, - David said, not wanting to delve into the matter, but still questioning why his partner defended him so much. They were dating, but they weren't. it was clear they could dump him at any time, he wasn't upset about ging the retionship, but this guy annoyed him almost as much as that Johnny Depp guy.

  There was a sound from the phone.

  Winona picked up her cell phone and just walked away.

  David heard the sound of Bill's voice from Winona's lips; it was enough to uand he was being a third wheel. He had just his heart broken; he left without closing the door, his car was a few meters away, and he just wao clear his head—women were like lights in the darkhat went out when you hem the most.

  Winona, oher hand, was talking about the test gossip with her friend Gwyh, who was already starting to say she hoped to have a romantic retionship with Bill, leaving Winona surprised by the turn of events she never saw ing. The mere fact that Billy was dating her friend caused a sense of pression. Gwyh was a very jealous person. For her, it was just a glimpse of something, but she let it go, as she was ed about other things, like the movie she would fully immerse herself in.

  ...

  hello everyone, we are at 289 of this series, I have written little, but the work left me exhausted, so I only mao write six chapters this week. luckily the previous weeks, I have had time to write. mmmm, I am closing ideas, and well, many things will begin, to ect.