January 16,

  "The ipany that dethrohe giants," read Stan Lee in his workspace. The early downfall of Marvel began with a published ad and Ronald Perleman's uping strategy to i in toys and new ic series.

  It wasn't just him; many people present began to read the front page of The New York Times, with a photo of all the animated series from Lux Animation. The poster was simply a creative marvel that tio cause a stir iertai world.

  "The ipany that dethrohe giants,"

  "Since 1900, no ipanies have caused such a sensation. The wonderful new series is ting themselves in the hearts of Ameris. Why did we never make a basketball series? Because only superheroes. Since 1989, when Lux ics was founded, it marks the beginning of a new era of ics, the Renaissance era. A different graphic culture has been geed, with beloved characters, impressive stories, struggles, sadness, tears... I'm still reeling from all the ideas and ings and goings of Lux Animation's ics. Its creator is her than a young man from the city of San Jose. At just 10 years old, his more childish publications are starting to redefine his personal growth. Take a look at the images, from the best drawings to the animated quality, the Ameri spirit of embarking on a new image that was fotten.

  From the birth of Superman, the Golden Age of ics, the founding of Hanna-Barbera, and the great Disney films, they all have one important thing in on: they are pioneers of their creation. Impressive, isn't it? Are we witnessing a new animated era that will call to the faculties of art? Children are dreaming of ics again, adults are reading the issues again, and sales are only growing for the blessed ipany. Our records in colboration with the parent pany Lux Animation (owner of panies like Pixar, the sensation of 3D animation) have far surpassed the reports presented by Marvel and Dics, by 13% and 15% respectively. Sihe 70s, the tough blow to animation panies has caused a reassessment. These problems have been a promi burden for the panies, which have suffered two bubbles ihan 20 years... Was it an ei? No. It has been shown that it was a ge in forms. We've been seeing the same thing for a tury; people were eager for ories, not just more heroes. Stories that bring us the love we fot, deep, challenging, and captivating stories.

  The new era of ics.

  By: Marcus Bowder"

  ...

  The reading was uable for many; the es only point to something ging. Even now, the smiles of many Lux Animation employees could give a toast to the air, like Phillip H. Knight, who, in his chair, realizes that the uping tracts for the Sm Dunk series could gee even more ine for the pany.

  Such is the case for a fotten Paul Higs, who was the first person to guide young Billy into the world of animation in 1990, when the Yu Yu Hakusho series was in the process of creation, like Tony Be, Ed Be; they say that the sense of achievement is immeasurable when they see the future with their own eyes. Even before, Billy advaime, at least in drawing by 15 years, and in animation by five years and still rising due to iments.

  A James Cameron who tio insist that Billy should be an animator, while he discusses everything with a new agent John Laduo, about Billy's artistic talent. Billy Gates reviews the article again with early m delight, even more so because, acc to the data, a small pany surpassing old panies in quality is just a sp in the face.

  Known actors now see Billy Carson in a different light; the measure of a multi-billion-dolr pany ot be joked about. How Mili Avital observes everything, how Kurt stands ahead of six months of gossip in two, like some members of the dubbing process; some tio see the meticulous adva of an animated world.

  Producers, directors, entrepreneurs, sates, everyone is peeking in to see.

  Being part of The New York Times is a great accode for anyone.

  -I 't believe it, - Julie Delpy ented.

  Upon seeing the cover of The New York Times, and as he flipped through pages four to six, seeing photos of Billy drawing, including oaken by Anne five days ago that she said was for the pany, surprised him.

  -Well, it's a surprise to me too, - Billy ented, still somewhat incredulous about Jim and Arip behind his back.

  -Now I'm eager to see your ics. 'The iaissance, Promoted by One Man: Billy Carson' is a fantastic headline. Being part of The New York Times is almost... a statement that your pany is part of pop culture, Ameri culture; you're part of Ameri history, - Julie ented as they both sipped coffee at the Vienna Iional Festival. Amidst the bustling day, with people once again seeking to cssify the best films from their repertoire, young artists and some adventurers were guided by ema, and there were fabulous movies, each taining an almost paradoxical taste.

  -Well, I think I would have gotten there sooner or ter. You see that in future occasions, I'll take the path of animation ahead. Don't you think there's a world where both kids and adults dream? - Billy remarked.

  Julie's eyes sparkled. -Without a doubt, there are many pces where we express ourselves in such elegant ways. That's why you have an animated cartoon el, Lux Toons. It's one of the els, with a market share of 3%, meaning nearly 2 million people watch your el in the Uates, - Julie ented.

  -That's true. You take dubbing jobs in my pany; ayment rates for all newers, actors, and dubbing specialists. It's always good to find polyglots for dubbing, - Billy said.

  Actors earned 500,000 due to their experience while dubbing specialists earned a little less but signed long-term tracts with the pany. Newers received anywhere from 100,000 to 300,000, which applied mostly to films and primarily to lead roles with long lihe only exception was Tom Hanks, hired for 1 million and a sequel for 4 million, but even that was only on rare occasions.

  -You know I don't like being the ter of attention, you know, because of my adventures. But— - Billy started.

  Julie preferred to distance herself from the eai industry rather thahe media trol her life, so her appearances in films sometimes leaoward indepe films from other tries like ada, Spain, and France. She spoke three nguages and excelled in French ema, even frequently traveling to Spain. She was simply a fotten talent.

  -I might participate someday, - Julie said thoughtfully.

  ....