January 24.

  Among the many visual resources an actor has, the most important is maintaining posure and stig to a style, whether it's a method of ag uide to disfort.

  Immersing oneself in the role isn't just something an actor does; a director does it through the lens as well, creating the world that engulfs them. They capture every inch of a story as they see it in their mind's eye, guiding the film as they see fit.

  -We'll o take some shots with different lighting. I don't feel like the frame give us different takes of the same se, - David Fincher ented, jotting notes with the producer, while Bill and Man stood nearby, apparently engaged in versation. Not far off were some supp characters, calmly awaiting the director's shots.

  A very tender Gwyh was expanded upoo the chemistry, starting with a supp role but subsequently gaining some signifi the game. The story rogressing, the script was good, and it helped the retionship.

  What was charming was a rose, dawned...

  Take 29, Se 1.

  -I'll down; I have to see Mrs. God. -

  Voices were heard in the background.

  -Mrs. God. -

  -I... I don't uand, - Mrs. God ented.

  -I know it's something terrible, but you must tell us if you see anything strange, anything out of the ordinary, - said Billy/David Mills.

  -I don't see anything, - Mrs. God said tearfully.

  -Are you sure? - Billy asked, getting closer.

  -Please, I 't do this right now! - Mrs. God cried out.

  -Okay, - Billy replied, setting aside the versation, wanting to finish, with doubt, a noviothing different from what Brad normally did.

  -What could it be that we haven't seen? - Man/Somerset ented, approag David Mills.

  -Here, the painting is upside down, - Mrs. God said, pointing to the photographs.

  The case took a urn with the events. For now, only two known crimes, gluttony, and greed, both crimes buogether in a single delivery taken, a single quick py, each time more sinister, each time more insane.

  "Cut."

  Several shots will follow in the rooms. This one had a more established storyline, and subsequently, they would shoot all the ses in the room of the couple David Mills and Tracy.

  -Too dark for my liking, - Man ented.

  -The story is hirious, a simple plot, to a starting point that doesn't stop deliing normalcy for the idea of suspending mystery, fear, suspense, or inclusiveness. -

  ***

  January has been one of the most fruitful months for Lux Animation, which has reached agreements with four new panies in acquisitions. The series firm, a call to create at least ten series per year, was a plete and true madness.

  -We've got petition, - Craig McCraiented. With what seemed like anticipation, a rge group of animatathered around him, taking note of the news delivered by Jim Gianopulus that m.

  The acquisition of three animation studios is no joke; for many, who believe in outs their work, the risk of being id off is just the ig on the cake, adding to the fear of not being part of a pany that openly hires rookies and trains them, helps them.

  -Here es the one who clears up our doubts; apparently, it's the boss's pn, - Anna ented.

  -n could require the purchase of three animation studios? - Paul Schools asked.

  -A sed animation el, aimed at an older audience, - Raimon ented, interrupting the versation. He couldn't help but e to see the love of his life, Anna Sztmanska. The woman of his dreams was simply beautiful.

  -Raimon, e on, friends, now you tell us everything that's going on in ma, -Paul German said, designer of Meteor, the precursor of the Meteor series and animator of the Meteor series, a purchase of 1.6 million for film rights, and 1.2 million fhts to works, plete rights over the exploitation of the work.

  -Well, Billy has decided to open up our animation portfolio; he wants to focus on a teenage audience. While Lux Toons targets an average age of 8 to 14, if we capture the 14 to 21 age group, it'll be good for the pany. Our readers have an average age of 16, but the ages range from 13 to 34, - Raimon said, stroking his beard as he took a seat.

  -Are you talking about ics? - David Jill asked.

  -Yes, we are a ipany. We created the el to drive the purchase of our products. For example, Samurai Jack has been on the air for two months now, and ic sales have increased slightly. We receive many orders every day, specifically for the early issues. It's just a profit for us to have another animation el. We did the calcutions, and maintaining a television el nationwide costs 90,000 per year. We afford it, but for that, we must accumute a series. Different programs, all verged into one... It's more of a transition. The current el wants to focus on series for children aged 3 to 8 and the sed el is fes 8 to 21. The focus is deeper. On paper, it will be from 12 to 21 years old, while the first el is fes 3 to 8, - Raimon ented, somewhat fused about how they were going to fihe eructuring process.

  -The only thing that matters to me is that my job is at risk, - Shem ented, something that everyone in the room was eager to ent on. Many people had apparent, well-founded doubts, in three things: they couldn't afford to lose their jobs, the fear of losing their jobs. Being an animator is not easy, even in the Uates; many remember their months without work.

  -We're hiring. Billy is so ambitious that he only gives me headaches. He wants to produa-produ. Have you read 'Trigun'? - Raimon asked.

  -I've read it. Cowboys, dystopias, ons, and epients, - Jerry Simmons ented.

  -Well, he wants that series by the end of this year, along with the Lilo and Stitch movie. They started with the Green brothers, the animated series Robot Jorain Souls, and Amy and Puffy are still in produ. Star Wars, Meteor, Rocky and Bullwinkle, Pokémon series, and there are episodes of successful series like Dexter's Laboratory, Recess, Roodern Life, Billy and Mandy, The Powerpuff Girls, Gargoyles, Samurai Jack, Cow and Chi. There are so many series. The Star Wars trailer geed a wave of fans, - Raimon ented.

  -Now that you mention it, you make us look paranoid and stupid, - Buch Hatman ented.

  -Don't be upset, I'm worried too, but the pany is growing. The movies have geed ine for at least another year of films. If we tighten our belts, we extend the profits from year to year and a half, but it's better to i in quality, - Raimon responded. Still focused on Billy's words about creating a gigantipany of animated series that be formed as a sales strategy. How will he make money with a digital library? Lising. He doesn't know, and no one has guessed the truth about Billy's merit.

  -A great library of great animated movies, Raimon, - said Billy.

  ...