"Time to Kill" is perhaps a film made for those seeking drama, history, and a narrative of a certain part of the try's past. It's dangerous, yet very clever; no one wants to remember shameful acts, but these very memories are what critid up both ad and hating. It's a pity there aren't any bck Jews, in an archaise. It's good but not as good as expected, and the is tossed in the air, but no oruly cares about the political situation.

  -Mr. Grisham, may I have some time with you tonight? - Billy ented, shaking hands. John Grisham is perhaps a writer made to rant about many causes, as a wyer, politi, and Democrat, with a key idea of how tanize his books, featuring attractive themes—the genius of thriller writing. Since his first book, he hasn't stopped publishing.

  The problem is Billy doesn't have the rights to publish John Grisham's books, and approag such talent is one of Billy's is prompted by the movie's call.

  -Of course, we meet; there's a restaurant nearby where I usually have dinner. Does that work for you? - John suggested.

  -That sounds perfect. - Billy replied.

  -Good d. - John ented, patting Billy. The movie keeps everyone busy; seeing a young Sandra Bullock makes any man oremble—hardw, beautiful, and with an easy smile.

  -It's a challenging way to see it, but Billy takes into at that he o get down to work. - he sighed to himself. However, for Billy, it's not an unfamiliar name, and for that reason, they know each other as creative friends, knowing the works that caused fame and for all people who create their works, it's there where they share. It's not the first time a colleague has sent him a request to discuss creation because from there, creation, from the perspective of the book, knowing the characters and the background of the plots.

  Se 28.

  It was just before noohel made her usual noisy entrance. She brewed coffee and opehe mail, as she had done for the st forty-one years. She was sixty-four but looked fifty, chubby without being obese, well-preserved but not particurly attractive. As she read Jake's mail, she loudly chewed on a greasy sausage and a biscuit she brought from home. Jake heard voices. Ethel was talking to another woman. He checked his schedule; he had no appois until ten.

  -Good m, Mr. Brigance. - Ethel said.

  -Good m, Ethel. - Jake replied.

  -There's a dy who wishes to see you. - Ethel mentioned.

  -She doesn't have an appoi. - Billy responded.

  -I know, sir. - Ethel replied.

  -Tell her to e baorrow at ten-thirty. I'm busy now. - Billy/Jake replied.

  -Yes, sir. But she says it's very urgent. - Ethel ented.

  -Who is it? - Billy excimed.

  It was always urgent when they showed up unannounced, like going to the funeral home or the undry.

  -A certain Mrs. Wilrd. - Ethel answered.

  -What's her first name? - Billy replied, noting the camera positions, a slight blink, his serious and fident demeanor unged.

  -Earine Wilrd. You don't know her, but her son is in jail. - Ethel said.

  -Tell her I'm not ied. - Jake Brigance/Billy said with a hint of annoyance.

  -She insists she needs a wyer. Her son has to appear before the judge at ohis afternoon. - Ethel replied.

  -Tell her to talk to Drew Jack Tyhe duty attorney. He's good and free. - Jake/Billy said.

  -Mr. Brigance. - Ethel replied after veying the message.

  -She insists on hiring you. Someoold her you're the best criminal wyer in the ty. - she added jokingly. The woman.

  -Tell her it's true, but I'm not ied. - Billy replied with a distant expression.

  Her son exceeded by far what Jake Brigance was willing to ehe limit was everything.

  -Cut. - Joel Schumacher said.

  They tinued with takes for the rest of the day, in the office; as night fell, they rested, but there were still some shots left, especially those of Jake with his family.

  ***

  The neer, with the acquisition of Discovery el, is featured in all U.S. neers, and the news focuses on a major acquisition by Lux Animation, which, using the momentum, annouhat a new animation el would be unched uhe name Discovery Kids, uhe Lux Animation brand.

  Banging against the gss table, Betty sighed with some measured ess. The executives were demanding more and more results; they started by creating a cartoon boratory, using advertisements to give space to short 20-sed clips of different animations—some were acceptable, and others outstanding, but the fierce battle for animation was going from bad to worse.

  -A el just for kids. - Betty muttered. - How good do you think it will be, Pau?

  -I have no idea, but Sesame Street's results are relevant; they have a particurly rge audience. - Pau Sullen replied, formerly a newer in the industry and now part of Betty 's team, involved in the development of Cartoowork's program in many aspects, haviraio see all the ways Betty made her successful.

  -Our programs are good. - Betty resporying to grasp an idea crossing her mind. - But we don't have the same creative momentum; we have freat series, but they're all from Carson, and I hate to say they're perfect. We're testing new series; even the sector purchased from MGM gees some appuse, but they're not the boom we need. Diversifying series is both good and bad—it supports other series to shine, but Luxtoons' series is here to stay; their programming now needs more support from our els. They have two... -

  -Because of the repetition. - Pau replied.

  -Yes, exactly. Their programs st half an hour, with a break every seven minutes, so in half an hour, they have two breaks. This means an episode of some of their series is fifteen minutes long per episode. They need 28 programs to have 24 hours ramming. - Betty ented.

  -So... -

  -So they want to create another el, capturing programming for kids, youth, and adults. However, it's challenging to do with so few series uheir belt; right now, they're just waiting and bundling numerous series into one. - Betty remarked.

  Hitting the nail on the head, but very risky, unless you io earn little for those els, without knowing the details, information, and data, you 't uand the reason behind such a move. The acquisition of a dotary once again reshapes the work table; TV producers are now doing a poor job ramming, and although they peh many els, they ck signifit anization in terms of horograms they produ a year. They are proposed, piloted, and made.

  ***

  The Golden State Warriors basketball team was founded in Phidelphia but moved to the San Francisco Bay Area in 1960, with their glory days in the 1970s, or well, their st streak, which has been overshadowed by other teams.

  In 1995, the IBA league was newly founded as a sed-tier basketball league. However, there's also the CBA, a league created to develop basketball talent for the NBA, and finally, the college basketball league.

  The pn begins with the purchase of the Golden State Warriors, followed by either the Oaknd Athletics or the San Francisco Giants baseball teams. As for Ameri football, the San Francisco 49ers are in succession troubles up until now. For all three teams, the sums vary, but the agreed-upo is that for the Golden State Warriors and San Francisco Giants, the acquisition value totals 200 million.

  Steve Parks could only hold his head upon reading all that was necessary; he barely looked at soccer, and his father was English.

  -What a headache. - he murmured.

  ...