As the final battle began, the audience was left with one overwhelming feeling: grandeur!

  Indeed, for the audiehe final battle of Goblin Syer stood out for its sheer spectacle.

  The iy and brilliance of the fight ses rivaled the special effeovies from another world.

  Thanks to the existenagid martial arts, battles in this world naturally carried a fir akin to special effects!

  Most of the audience were ordinary people in this extraordinary world, devoid of any fshy magic or powerful swordsmanship.

  For them, witnessing a battle between experts was a rare, on-a-lifetime experienbsp;

  Uhey had the ce to veo the frontlines of war, or were unlucky enough to experience a monster siege in their city, they'd likely never witness such battles firsthand.

  In this text, when the audience was treated to a visual feast of top-tier adventurers from the Northerory, they couldn't tain their excitement.

  Screams erupted all around.

  The only way to describe their rea was that they were blown away—quite literally in tears!

  By the way, it was tears of awe, so don’t overthink it.

  Thanks to the influx of top-tier adventurers from the North who all eagerly wao show off, the actors selected for the final battle were all of silver rank her.

  When they dispyed their skills, it was ferocious.

  Imagine a group of grand magis unleashing Pary Devastation against a swarm of helpless goblins.

  The resulting effeeedless to say, was beyond exhirating.

  In terms of spectacle, it was certainly top-notch!

  In parison, the earlier film KonoSuba: God's Blessing on This Wonderful World! also had some impressive fight ses, with the Headless Horseman's strength surpassing everyone's expectations.

  However, KonoSuba was ultimately a edic, silly film, so audiences weren’t as focused oion. Instead, they paid more attention to the humor.

  Oher hand, Goblin Syer was a full-blown a film—or rather, a tactical a film.

  The most thrilling parts were when the protagonist used ingenious, ued methods to eliminate his enemies.

  As the audie deeper into the story, they couldn’t help but be drawn into the iy of the battles.

  Now, after experieng the dark yet satisfying bat in Goblihe audience was treated to a proper showdowween top-tier adventurers.

  The feeling was akin to ag your final exams and immediately receiving acceptao your dream uy—pure ecstasy!

  The atmosphere iheater reached a boiling point.

  Everyone had fotten the rocky start of the film and was fully immersed in the exhirating lives of the adventurers.

  At the same time, General Wilhelm and Knight ander Wycliffe, who were watg the film, were equally stunned by the meticulously chraphed battle ses.

  They couldn’t help but feel that even the army’s regur war exercises didn’t have battles this intense.

  After all, the military didn’t have that many fourth or fifth-tier Swordsme aloop-tier magi nearby to set off magical “fireworks.”

  To Knight ander Wycliffe, the bloody battles in the film—including those involving Goblin Syer—gave him the same visceral thrill as watg gdiators fight to the death in the orgdom arena.

  At this moment, all his biases against the movie vanished, and he fully immersed himself iory.

  Finally, after the adventurers’ dazzling battle ehe story reached its clusion: Goblin Syer versus the Goblin Lord!

  Before the fight began, the audience quietly debated whether Goblin Syer’s bat prowess could measure up to the Goblin Lord.

  But when the fight actually started, most didn’t expect it to be such a one-sided beatdown.

  While they initially thought Goblin Syer would hahe Goblin Lord one-ohey were shocked at how powerful the Goblin Lord had bee. Goblin Syer nearly lost.

  Luckily, everything was still within Goblin Syer’s trol.

  When the audience saw the golden barrier sloear, they rexed, as if a weight had been lifted from their hearts.

  Later, when the Goblin Lord's backstory was revealed, most of the audience finally uood Goblin Syer's motivation fhtering goblin infants at the beginning of the film.

  As this lingering question from the start of the movie resurfaced, the thrilling film came to a close.

  As the bustling se at the Adventurers’ Guild unfolded at the end, maouched by Goblin Syer’s twisted persona being somewhat redeemed by his panions.

  Watg this, even Knight ander Wycliffe sighed with relief and muttered, “ime, let’s e and watother movie…”

  “Oh ho? Even you would say such a thing?” General Wilhelm teased, while Rhianding nearby—wore an expression too plex to describe.

  After all, his battle-hardened, death-focused mentor had just suggested watg a movie again.

  Rhine couldn't help but wonder if he’d have to be silenced after witnessing this.

  As the movie ended and the credits rolled to a tune pyed by Wiz, all the audience members looked satisfied and began to discuss the film excitedly.

  The topi everyone’s lips was, unsurprisingly, Goblin Syer himself.

  After all, the movie’s depi of the protagonist was unlike anything the audience had ever seen before.

  Traditionally, stage py protagonists had their faces obscured by powder and spoke in overly refined and affected ways.

  Characters in church propaganda were always depicted as brave and generous heroes, overly righteous but g in practical deeds.

  As for the overpowered protagonists of the novels popur in the imperial capital, there was o eveion them.

  In trast, although Goblin Syer never showed his fad remaioid silent throughout, the audience could feel his genuine humanity.

  His as followed the familiar trope of helping others, but the raw, bloody portrayal of his journey made him feel far more real.

  As the audience tiheir discussions, someone suddenly shouted.

  “Gob–Goblin Syer?!”

  A young man who had been chatting with his friends about Goblin Syer’s stylish and unique killihods caught a glimpse of a figure emerging from the premiere stage. Instinctively, he shouted.

  The veed iement because that figure was her than Goblin Syer himself, along with most of the cast from the movie!

  Zaztra_Vandesh