2D Teology.

  The Gargoyles series will mark the milestone of being one of the first puter-animated series to use a refined design. After all, more than half of Lux el's human resources will be ied iing the animated series.

  The headline producers are Anna Szymańska and Butch Hartman. The Gargoyles process tinues, and Billy keeps drawing the iween lines of the sed animated chapter.

  Craig McCra, with his Powerpuff Girls series, tio have some discussions with Billy about the animated characters in his series, the Powerpuff Girls. The main is the script. While Craig is an excellent animator, he has an old-school approagrained in his memory. He tends to create series with multiple episodes without establishing a proper timeline.

  -Okay, I uand. The first part is when the Professor creates the Powerpuff Girls, the sed is them learning to use their powers, the third arc is about the supervilins they enter, the fourth is creating multiple episodes in various ways with aablished quota of vilins, and the fifth is adding more vilins without disrupting the whole process, - Craig said.

  -Exactly, though it doesn't have to be sid. We're happy as long as you tinue doing spectacur work, - Billy replied.

  -Thank you, - Craig said, with bags under his eyes. Although his series may seem straightforward, he has worked tirelessly to meet all of Billy's demands, from improving the image quality with 2D animation teology to detailed backgrounds and well-defined characters.

  -No worries, just take a break, - Billy said.

  -Hahaha, you're a bad example, you've been in this office for a day and a half, drawing non-stop for the entire Gargoyles series, - Craig ughed.

  -I love this; I'm eager for the television el, - Billy said.

  Everyone was; the Luxtoons animation team had worked very hard to make everything perfect.

  -I've grown fond of this pany. It respects my ideas and teaches, ences, and takes care of me, - Craig thought.

  -We all are. This job is everything I could dream of. I heard that you sent an invitation to Gennady Tartakovsky, but he pletely rejected the proposal. I told him he was an idiot, but he works for Hanna-Barbera, so I 't bme him. Although I may have mentiohat I am now the creator of my series, - Craig said.

  -Unfortunately, he didn't want to e to the pany. Although I pn to expand the team, it all depends on the success we have. For now, we're just burning a lot of money, and even the profits from Hercules haven't been very beneficial, - Billy said. One of the main animators who worked very hard t Hercules to the big s, along with The Lion King. The poress in his ag career iwo years is the result of his numerous jobs in animating the movies.

  -Wow! I had heard that we earned 243 million worldwide. I heard that the toys, DVDs, everything was going smoothly, - Craig said, surprised.

  Billy fioug up the se of the Gargoyles fighting, just as he had remembered it, with some slight improvements that his teical knowledge had gained over the years.

  -Well, in truth, we earned 133 million, and out of that, 21.3 million was distributed. The rest I've reied in expanding the produ team, improving produ facilities, and bonuses as well. Plus, Pixar keeps asking for money, like the reiment for Toy Story, - Billy expined.

  The profit of 480 million dolrs, after short sales, didn't st long. Debt payments, iments in teology, franchise expansion, tax payments, series acquisitions, lising fees, and expanding produ teams devoured that money as quickly as it arrived. What did it achieve? It stabilized his businesses and provided financial security, with iments in stocks worth 80 million dolrs and a Certificate of Deposit (CD) of 16 million and 4 million.

  -I'd hate to be the boss. I barely keep up with my household expenses, - Craig said with regret.

  -Don't fret. We have financial health, and the numbers are positive in all our panies. We have money in the bank to st for five years without earning a t. And, of course, we'll only make more money ohe TV el premieres. I have plete fidence, - Billy assured.

  -When is this special premiere date? - Anna asked, entering the versation.

  -At the end of this year, hopefully. I pn to acquire the film rights for Woody Woodpecker, which will give us a good number of series. A television el needs at least 15 series, - Billy said.

  -We have five pleted series, including the Cow and Chi series that you approved, plus Gargoyles. In total, we need eight more series to deliver, - Anna said.

  -Actually, I've ied a signifit amount in the X-Men and Power Rangers series. That adds up to nine series in total. With the purchase of some anime series, we would only wo more series. I have full fidehat I egotiate the Woody Woodpecker series. Also, together with Chris Savino, we've created a series. He has worked hard on the script, animation, and art for the series, - Billy expined.

  -What is it, and why wasn't I informed, Craig? - Anna asked, as Craig and Chris are part of the produ team for the Dexter's Lab show.

  -Well, it's Hey Arnold! A series that Billy initiated, and it's been flowing gracefully ever since. Once we finish the twelve more episodes of Dexter's Lab that are currently in produ, we'll start with the new series, - Craig said.

  -My series also o be published, - Anna said, displeased.

  -Talk to Butch Hartman. He's a great scriptwriter and help you with some things, - Craig suggested.

  -It's not fair, - Anna said, dejected. She's worked so hard, but her series hasn't been accepted. It's the series of her life, about a girl who lives on a train, entering all kinds of magical people and situations.

  -Don't worry. When we finish Gargoyles, you e to me, and we'll make a mini-series of fifteen episodes. I don't think the story be extended much further. I even have a friend who owes me a favor and help you, - Billy reassured.

  -Who is it? - Anna asked anxiously.

  -You know Frank Miller, he writes and draws ics. Well, he owes me many favors. You ask him to help you write a script with your ideas, then we'll pass it on to Butch, and then I'll create the characters and storyboards myself, - Billy expined.

  Anna's smile reached the sky, and her fangs and vibrant blue hair gave her a rejuvenated look.

  -I don't want to interrupt, but I'd like a simir treatment too, - said Paul German, a part of Anna's team, holding his regur gsses.

  -What's your idea? - Craig asked.

  -Well, I've always been a fan of the Speed Racer franchise, -- Paul German began. -- I'd like to propose a reboot. -- He spoke slower and softer as he tinued, -- It's just that I've always had a soft spot for it. -

  -Sure, that would be great! I'd even be willing to buy the rights. Who has the series rights? - Billy asked.

  "Based on my research, Trans-Lux has the film rights to the series, but retly, Fred Wolf created a series that's nothing like what it used to be," Paul German expined.

  -Speed Racer isn't Japanese, right? Are they still adapting the manga? - Billy inquired.

  -They've produced some standalone volumes, but in Japan, it's aired on Fuji TV, - Paul German replied, his excitement mixed with disbelief.

  -Fantastic! Let's buy the series. I have a great idea. Let's acquire the plete series from Fuji TV, hire its creator, have Paul work on it, purchase the lise from Trans-Lux or Fred Wolf, and create an amazing series, - Billy suggested.

  -Really? - Paul German excimed.

  -Of course, I don't see any problem with it as long as you promise to make the best television series, - Billy replied.

  -I watched it as a kid with my father. I won't let you down, - Paul German said, rushing to the rge gss et filled with numerous files and dots. He grabbed an application form for series acquisition, filling it out quickly.

  -Ready, - Paul German said.

  Billy just had to sign, and Anne would probably kill him, but he'd have time to purchase the series. Paul German took off from the third floor to the sed floor to hand the request to Mr. Cloud and Gorman, who would then deliver it to Anne.

  -That was faster than I expected, - Anna said, as surprised as everyone iudio.

  -Tell me, Billy, do you want to buy The Jetsons for me? -Craig joked, ughing.

  -I don't think Warner Bros. would be willing to sell it. We have a bit of a flict there. But as long as it makes sense for creating a series, I'd gdly do it, - Billy replied.

  -Too bad for us, - Craig said.

  -Don't worry, I pn to acquire some series for our el, one way or another, - Billy said spiratorially.

  Raimon climbed the stairs, sweaty and tired.

  -Billy, yirlfriend is in the parking lot looking for you, - Raimon said.

  -Alice, - Billy said hesitantly.

  -Yes, she's in the parking lot, looking for someone named Billy Carson, who's been exploited at the pany, - Raimon said, apologetically.

  Billy g the remainiails for the series, and there were still many.

  -I'll be baorrow, guys. I o get some rest, - Billy said.

  -See you ter, boss, - Anna said, along with six other employees. Craig just gave him a smile and a slight nod. Billy went down to the sed floor and calmly told the security guard, -- Let Anne know I'm leaving, and I'll be baorrow m. -

  -Of course, boss, right away, - the guard said.

  Alice was in Billy's van, sitting in the passenger seat, doing a bit of makeup and fixing her curly hair.

  -Hello, darling, - Billy said.

  -Hello. Your father told me you spent the night w. You don't look too good. I'll take you home, but first, you o freshen up. You kind of stink a bit, - Alice said.

  Billy simply nodded aled into the passenger seat of his car, half asleep.

  ...