One of the most important elements to operate a television el is to have a broadcasting lise that ehe transmission of television signals. The regutory authorities are the Federal unications ission (FCC), responsible fing Lux Toons television el to the younger audiehis involves establishing the transmission tower location and other teical criteria.

  Lux el utilizes cable and satellite frequehrough stations that provide television services to Ameri households, plying with regutio by the ission, including TV parental guidelines. Sihe creation of elevision els, there has been an ongoing effort to manage educational hours in youth-oriented animated programming. Typically, this rule might be overlooked, but given Lux el's precarious situation, it aowledges the potential sequences of failing to adhere to all the ht regutions enforced by the ission, hehe following approach.

  The el's cssification is TV-Y7-FV, meaning it falls into the category of fial violend includes intense, albeit bounded, violent tent. This may involve ses like torture, allegories to warfare, genocide crimes, and adult-themed sarios. However, it's worth noting that starting at 9:00 PM, it transitions to TV-PG, suggesting parental guidance, for some of its programs, to broadcast more serious and specifitent.

  Anne, along with Steve Parks, the official iator for Lux Animation as a corporate group, which is now expanding its reato the animated world, walk through the extensive corridors of NBC, a pany led by General Electric (GE), a teology and industry firm since 1986.

  -Mr. Lumiere, the representatives of Lux el are in the boardroom, waiting, - said the secretary of Walder Lumiere, the director ramming for the major NBC televisiowork.

  -Mr. Lumiere has given his sent for the purchase of the television el, - asked Lumiere.

  -Yes, sir. He has made it clear that this is an old program that is only occasionally broadcast. There is o mention that he only seeks some is, - the secretary replied, handing him a report on the feedback from Willian F. Kobin and Ralph Cloister, directors of KCET, a public television station in Los Angeles.

  -Very well, call Rich Greenberg, - Lumiere stated.

  Anne reviewed her notes while Steve Parks adapted to the atmosphere. Steve once again donned a striking suit, particurly notable for his woolen waistcoat. Although this choice of attire might be unventional in the California city known for its scorg heat, in New York's chilly climate, it was entirely appropriate.

  -Good m, Miss Hall, Mr. Parks, - Walder Lumiere greeted, proudly emphasizing his French heritage.

  -It's a pleasure, Mr. Lumire, - Steve Parks said quickly.

  -The pleasure is mine. Please, let's sit down. We have a lot to discuss. We reviewed your offer earlier, and we agree to your terms. However, I have some questions about your involvement in the dotary series, - Lemire said.

  "Exactly. We want to i in a few dotaries that will be in lih your televisiowork. We are an animated el preparing for our unch ter this new year," Steve Parks expined.

  -Are you starting a dotary el? - Lumire asked, a little surprised as he expected it to be an animated el.

  -No, sir, we are a children's el. However, with the new regutions from the issiarding children's programming, they are close to implementing measures for educational television. These measures require a minimum of five hours of children's dotaries, and that's ant to i in three to four dotaries, -- Steve Parks replied, handing over the dotation for the children's el. -- This might be the key to our mutual is. Please, take a look; we have all the regutions in order."

  Lumire reviewed the dots and pohe potential bes of this arra.

  -How muvestment are you expeg for our dotary division? - Lumire asked, fog on the small details and advantages of this deal.

  -500,000, plus the purchase of the program 'os, - Anne replied.

  Lumire paused, looking at Anne Hall. -- Which type of dotary from the dotary el do you want to choose? - he asked.

  -We would like 'A History of the Uates,' a dotary that narrates the history of the Uates from its foundation to the 20th tury. As producers, you tih the dotary's produ. However, we wo edited versions: one approximately 45 minutes long and another sisting of two-miervals, - Anne expined.

  The idea is to break these dotaries into shments to broadcast as ercials during children's programming.

  -A two-mierval might not tain muformation, - Lumire remarked.

  -It doesn't matter. We only need a shortcut for ercials. If we air about 20 short segments during our ercials, we will meet the weekly hour requirements, - Anne replied.

  -Skipping ercial slots during dotaries, are you crazy? - Lumire thought.

  -We'll do it. The price suits our needs. It's a pleasure doing business with you, - Lumiere said, letting the money do the talking.

  -Very well, let's spend the few weeks coordinating the delivery of 'Carl Salgan' for our animated el, - Steve Parks suggested.

  -Well, in ten days, we will send all the information. The registration will be doh the Cht Office, as is the requirement," Lumiere said.

  The versation tinued with a series of teical details reted to the purchase of the dotary. It was noon, and they all bid farewell. Anne and Steve Parks braved the chilly New York weather, with Anne's rosy cheeks betraying the cold.

  Another meeting was scheduled with the BBC to discuss a 13-episode series oern art history, and a proposal to work with Sir Attenbh, aive with a profound uanding of dotary el creation. This enpassed a wide range of dotary series, including animals, pnts, civilizations, art, history, culture, and various other topics.

  Sir Attenbh is one of the most highly awarded naturalists, renowned for his astonishing work.

  Lux el has acquired different TV programs and lises. This includes series like Men in B ics, Captain Atom, and King Kong, which they purchased from L'Oréal, who bought the series in 1989. They also produce series like Power Rangers and X-Men.

  They hold lises fon Ball, Ranma 1/2, Knights of the Zodiac, Super Campeones, and Sailor Moon. All these lises are grao TV Tokyo for 18 years for 8 million dolrs. Additionally, they allied with Saban to create animated dubs of these series in English, Spanish, French, Italian, and Puese for 12 million dolrs. This was a steep price, but Billy deemed it necessary, aimately arrahe payment.

  -I wouldn't say I like the cold, and I hate these st-mirips, - Anne pined.

  -Don't worry. There's a good restaurant nearby, and if we're lucky, we'll get quick service, - Steve Parks assured her, leading Ahrough the bustling streets of New York.

  -Did you live in New York? - Anne asked.

  -For a while. I did my master's in finance here, so yes, I have some experience. Sir Attenbh won't be waiting at the National Museum until 3:00 PM. He's giving a lecture before our meeting, so we have time, - Steve Parks expined.

  -Let's go before I catch a cold, - Anne said.

  -As you wish, -Steve said.

  Sir Attenbh was not as friendly, but he left the possibility of a favorable solutiohis involved produg a joint series. The new dotary filming teiques were not cheap at all, with the cost of a single episode averaging around 3 million dolrs. Even though the series "os," produced by Carl Sagan, had a cost of 9 million or more, it was unsustaio produce the series at such high prices.

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