September 29.

  Cameron Crowe was pletely perplexed by the news he was reading, as Billy Carson exceeded his expectations. The Washington Post erhaps iqued his curiosity.

  With the neer in hand, he and his wife walked to the ema to see Billy Carson's new film, driven by Cameron's desire to watch the test work of his colleagues. The neer was simply brilliant.

  *Reendations of the Week*

  Se7en (1995), directed by David Fincher and starring Billy an Freeman, and Kevin Spacey, is a film that has left an indelible mark on the psychological thriller ges dark and engaging plot, along with ued twists, makes it a ematic experiehat surprises and founds viewers.

  The story follows detectives Somerset (Freeman) and Mills (Carson) as they iigate a series of gruesome murders based on the seven deadly sins. Each crime is more macabre tha, and Fincher spares no effort in showg the brutality and depravity of humanity, skillfully capturing our attention. The film's atmosphere is bleak and oppressive, with ematography that employs shadows and stant rain to underscore the despair and horror enveloping the city where the story unfolds, filmed in Phidelphia, creating a somber backdrop.

  What truly astonishes viewers is the narrative structure and character development. From the outset, Se7en establishes a tone of hopelessness and fatalism, but it is in its final act that the film truly hits hard. The climactic twist, revealing the tents of the mysterious box in the desert, is one of the most shog and discussed moments in ematic history. The revetion not only surprises with its brutality but also redefihe struggle between good and evil that lies at the heart of the story.

  Kevin Spacey, in the role of the enigmatid disturbing killer John Doe, delivers a chilling performahat adds a yer of intrigue and horror. His calm demeanor and twisted logitrast sharply with the detectives' growing desperation, culminating in a climax that defies expectations and leaves the audienpting the nature of justid morality.

  Se7en is not just a thriller; it is a profound exploration of the darkest ers of the human soul. The film captivates not only with its narrative twists but also with its ability to keep viewers on the edge of their seats, immersed in an atmosphere of relentless suspense. Fincher, with his precise and stylized dire, creates a masterpiece that tio resonate and disturb long after the credits roll.

  *Rating: 8.7*

  By Walter Rud.

  ...

  -How good it be? - Cameron asked, holding the tickets.

  -That’s the actor who was in your movie. - Nancy, Cameron's wife, remarked.

  -It is. -

  -He’s quite handsome... don’t get me wrong, he’s attractive. - Nanented.

  Laughing at Cameron's rea.

  -He’s 20 years old, and he embodies everything we wished to be at that age—handsome, successful, and athletic. - Cameron said, Billy's profile, which exuded fidence. His fitted bck suit, alongside Man Freeman, was simply magnifit. –

  They took their seats and spent the 120 minutes huddled in their chairs. For Cameron, everything erfect. Although this film was outside his usual tastes—he preferred edies, dramas, and romances—he found it presented a pletely different image than he initially expected. Everything clicked, from Billy's sharp performance as a man with a touch of fury in his heart to the evident trast with a stunned Man Freeman. Cameron observed everything with feigned detail.

  But it was Kevin Spacey who redefihe gehis guy acted like a true madman, elevating the film to a subliminal level. Cameron couldn't help but close his eyes, trying to ge his thoughts as the exges between Billy and Kevin flowed bad forth, while the mix with Man Freeman built sutensity that he could only hear the murmurs. He grabbed his wife's hand, who was in a panic as the climax approached. The entire audience was silent; the ema felt like a library on a quiet afternoon.

  ...

  -No, Mills, lower the on! Mills, lower the gun, don’t shoot… Oh God! Mills! Do it! - Man Freeman shouted.

  The voice of John Doe echoed.

  -My sin is envy. You have a very good life, a good wife, a nice house, and a good pce to live. Look at me, I’m nothing but a worm, but it was my envy. She begged, but I couldn’t stop myself. I am a sinner! - John Doe excimed almost shouting.

  -No. - David Mills murmured.

  -She regnant. -

  Gunsh out, and the background music faded into a deafening silence, marking the end, and leaving the entire audieunned.

  Cameron watched the s as it came to a close, feeling a sense ency. He overlooked many things and was so focused that several details slipped by him. The ending ed him, overshadowing all the nuances he missed.

  -I think Billy made a really good movie. Now, the February promotion may be enough t people to the box office. - Cameron ented.

  ***

  In Vancouver, at the Vancity Theatre, Billy greeted fans. Many people had seen the film during its opening week, and the total of 15 million in sales for the first week was fantastic for the produ and those present. David was relieved and happy to receive so much attention. Billy was signing autographs while many fans brought their id luxury animation t-shirts.

  -The fame is pletely real. - Gwyh remarked.

  -What do you mean? - Billy asked, taking the arm that Gwyh held above him. He thought it was incredible how Hollywood handled events; if you were a politi without scruples, it was impossible to have problems with those under your charge.

  -You’re very popur. The press has started calling you the golden boy of Amerio professio suit you; they’ll be asking for your presidency. - Gwyh ented.

  -They’re mistaken! My life is a mess; I’m just good at w. - Billy replied, giving a sharp look to the blonde, who paused in his gaze.

  -Sure. -

  They both ehe ema, discussing other things. A week had cleared some of the atmosphere that Gwyh had been caught up in, and the sobriety and reprimands from her godfather were enough to slightly redirect all that madness she wao unleash. She was very aware of what her parents had instilled in her regarding such situations.

  -Why are you so cold? - Gwyh asked.

  -I’m not. - Billy responded.

  -You are. I know I may have made mistakes, but your indifference feels like you don’t care about anything. You move through life without sidering other people's feelings, like a robot that only cares about itself. - the blonde ented, wanting to vehoughts, somewhat hurt by the way she had beeed. Not a single call in all those months; he focused on other things and was never fully itted to the retionship.

  -It’s not that. I guess I take frahat people will always be there... It’s fusing. I’m trying to improve, but I need someone who is there for me. I’m just bad at sharing my expectations. - Billy said, refleg on thoughts he had taken time to articute, but he had known for a while.

  ...